Scroll down for the complete archive! And don't forget about our Image Galleries which accompany most episodes.
The Representational Art Conference was the largest event of the year for the world of figurative art. Host Jason Arkles speaks with Michael Pearce, Alicia Ponzio, and Poppy Field, all participants in this year's TRAC in different ways.
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Orsanmichele is the unique name of a unique church in Florence, a site many consider to be the most significant in Florence for early Renaissance sculpture. In this episode, we explore the changes in sculpture that took place when sculptors began working not for the glory of God, but for the glory of Guild...
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The Sculptor's Funeral interviews medallic artist Heidi Wastweet, a sculptor who has devoted her career to the art of relief sculpture, coins, and medals. Wastweet offers us all a fascinating glimpse into a branch of the sculpture arts that few of us explore.
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Donatello - the greatest sculptor of the the really Florentine Renaissance. But why? And how is it that so few of us today know anything about him? The Sculptor's Funeral explores the nature of his genius to show how Donatello practically invented the aesthetic of early renaissance sculpture.
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Contests and competitions between artists have been around for as long as art has. But the most famous competition of all time was between sculptors - two giants of the early 15th Century- and heralded the start of the Florentine Reniassance. But who won? Ghiberti or Brunelleschi? Decide for yourself who is the better sculptor...
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Ask an art historian for the date of sculpture's official kick-off in the Florentine Renaissance, they might tell you 1401. Or, they might tell you 1260. Both answers are correct. How can this be? It turns out that early advances in sculptural traditions away from the Gothic idiom had a good early start - which was then abruptly killed off, by a destructive force you'd want to avoid like the Plague...
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Malvina Hoffman straddles the line between old and new sculptural traditions - She studied under Rodin and became a champion of Modernism, but is most remembered for her naturalistic portraiture which documented native peoples from all over the planet. In this Season Finale of the Sculptor's Funeral, Jason explores Hoffman's magnificent and problematic Magnum Opus, the Hall of the Races of Mankind.
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In this episode, we trace the short career of Sargeant Jagger - British figurative sculptor and decorated World War One Veteran - the artist who brought Realism to the genre of war memorials, and thereby changed the way nations remember their fallen.
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Edouard Lanteri and Albert Toft wrote sculpture manuals in the early years of the 20th century, preserving a great deal of what we know know about 19th Century clay modeling techniques. At first glance these two books appear fairly similar, but dig a little deeper and we find two very different approaches, which may well illuminate the differences in methodology between older Academic and younger 'Beaux-Arts' styles.
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What do NSA Whistleblower Edward Snowden, The stock market, and Satan's minion Baphomet have in common? Well, besides the obvious, they have all been subjects of a new form of public monument that has arisen in recent decades- one whose creators know that sometimes, it's easier to be forgiven than to get permission.
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Don't call him a military sculptor - Mark Jackson's career is more than that. But the British Army Major-turned-sculptor brings to his monumental military commissions an insight into his subject few artists can claim to possess. In fact, several of Jackson's public works are a direct reflection of his personal experience, and the various paths his life has followed so far. Jason discusses with Jackson his life and work in this interview, recorded in London in April 2015.
Windsor statue to honour Irish Guards unveiled by E.P.T.A.S on Photosynth
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The Burghers of Calais, and the monument to Balzac - two highly controversial monuments commissioned from August Rodin at the height of his powers. Why were they controversial? What did they mean? And how did they forever change how we create and value public art? The exploration of Rodin's work and powerful legacy continues in the second of a two part podcast.
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The Last of the Old Masters, or the first Modern Sculptor? Yes, indeed. Auguste Rodin retains more influence over figurative sculpture today than any other sculptor in history. This first of a two-part discussion on the life and Work of Rodin wonders if figurative sculpture today is under the spell of Rodin, the way the Mannerist Era sculptors were held captive by the mighty Michelangelo.
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An interview with one of the UK's leading equestrian sculptors. Langton is known for energetic portraits of thoroughbred champions, in works ranging from small trophies to monumental scale figures. We also have a conversation with sculptor Mark Jackson, who collaborated with Langton on the stunning Parachute Regiment and Airborne Forces National Memorial in England.
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One of the greatest English sculptors in history, Alfred Gilbert isn't a household name, but he should be. A champion of the Arts and Crafts Movement whose personal style strongly inflenced the look of Art Nouveau, Gilbert's work stands out for its originality in an Age of Originals that was the late 19th century sculptural scene.
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The Free Style. The New Sculpture. The French Manner. Call it what you want - one thing is certain, the marriage of Victorian English sensibilities and French modelling technique conspired to produce sculpture of a variety and style that England had never seen.
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A new Renaissance, a Golden Age - Whatever you call it, Paris in the second half of the 19th century saw a greater number of master sculptors doing work in more unprecedented ways than the world had seen since the early Florentine Renaissance. This episode takes a look as several sculptors and highlights their individual originalities as well as their relation to each other.
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"Those who have seen it have not forgotten the magnificent tipsy laugh of the figures in the dancing group on the front of the Opera; you seem to hear it, as you pass, above the uproar of the street." Is this remark from Henry James praising Carpeaux's masterpiece The Dance, or damning it? Yes. But whether a person loved or hated the sensual rhythms of The Dance, it and its creator could not be ignored.
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